Meet Skylar, our real #BitsyBride. Skylar chose a lace fitted wedding dress, Rosalind, from our designer Ella Rosa, a favorite here at Bitsy Bridal. Rosalind is a traditional style wedding dress that features corded Alencon- style lace on tulle over a layer of Chantilly lace. This layering of lace creates a multi-dimensional look on Skylar’s perfect wedding gown. Many brides picture themselves on their wedding day in that traditional sparkly, lacy wedding gown and we are so happy that we achieved that vision for Skylar. Click here so we can do the same for you!
About the designer of this lace, fitted wedding dress:
Ella Rosa is the little sister of Kenneth Winston. Kenneth Winston offers their main line, Kenneth Winston Couture, and Ella Rosa. Ella Rosa still features the traditional charm of the KW main line, but with softer features such as less heavy embellishments, and a lower price point. Some brides do not want heavy beading and crystals, and Ella Rosa is the perfect line for them.
Skylar’s pup loves her wedding dress as much as she does! The hem of this wedding gown features Alencon-style lace appliques that take this look to a whole new level! The appliques layered over the middle layer of lace creates a delicate wow factor. Look at that gorgeous hem on the train, and that cute doggy face!
Are you looking for a wedding dress like Skylar’s wedding dress? We can find you the perfect traditional, charming wedding dress at our shop!
When you start looking for a wedding dress there are many factors to consider. When you sit down with a stylist, one of the first questions she will ask you is what silhouette you want. Obviously you don’t have to have made a decision on a specific silhouette but it helps to have an idea of your preference and what will give you the look you want.
If you do a google search to help you research silhouettes, you will likely find a whole host of info-graphics depicting what silhouette to wear or not to wear based off you body type. To be honest, those graphics are useless: very few people actually fall into those narrow categories and even fewer share the opinions of the people who designed the graphics.
So, rather than tell you what you should wear, I’m going to tell you what each silhouette does for your overall look and let you decide if its what you want.
Gown: Tara Keely pic: via Instagram
A true ballgown is fitted on top with a heavily flared skirt. The waist is fitted and can fall anywhere from the rib cage to the low hip.
Defines the waist where the gown changes from fitted to voluminous.
Mask the hip/lower stomach area – which is sometimes desirable if your hip area is larger than you would like.
“Cuts” the bride in half – especially with a waistline near the ribs. By separating the bodice from the skirt a bride tends to look more proportional. If there is a great deal of poof, a shorter bride’s frame may become overwhelmed.
A larger skirt helps to balance out a top-heavy frame. This works well if you have broad shoulders or a large bust.
Characterized by a fitted bodice and tapered skirt, A line is a nearly universally flattering silhouette. Waistlines are most often found at the rib cage (natural or empire).
Softly flared skirt hides a larger hip area and the stomach
Balances out a slightly top heavy frame without the drama of a ballgown
Defines a waist where the bodice meets the skirt
Easy angles of the dress give the body a well proportioned look
Gives the illusion of height
Easiest silhouette to move in
Column gowns are aptly named. Defined by a straight cut, similar to a column. They can be tightly fitted to the hip or can fall straight from the waist line. Waist lines are on the rib cage (empire or natural).
Creates the illusion of height
Works well if you have an hourglass silhouette as it shows off a naturally proportional silhouette
Softly defined waist
Creates the illusion of a well proportioned body
Fit to Flare
Fitted down to the low hip or high thigh and breaks into a soft or dramatic flare. This silhouette is often confused with trumpet but Fit to Flares hit much higher on the leg and don’t restrict movement.
Shows off the waist, hips and upper part of your butt
Flares above- and therefore hides- the biggest part of the thigh
Shows off a flat stomach or an hourglass figure
Trumpet gowns are named because the flare of the skirt is like the spout of a trumpet: soft and round. The flare should hit just above the knees on a true trumpet gown.
Shows off the waist, hips, butt and thighs
Depending on the fabric can be quite restricting
Draws attention to the hips and stomach
Not as dramatic as a mermaid
Will make a large bust or broad shoulders look larger
Fitted through the entire length of the body until the knees or just below. It then flares quite dramatically, giving the illusion of a mermaid’s fins.
Most restricting silhouette
Makes a short frame seem even shorter
Draws attention to every curve
Makes a big bust or wide shoulders seem larger
In the most recent seasons, it has become increasingly difficult to find “true” mermaid silhouettes. The flares have been moving higher as most brides want to have free range of movement. The biggest difference has become the volume of flare on the skirt. Mermaids are considerably bigger.
That is the long and the short of it. The breakdown of all major bridal silhouettes. Any questions? Comments? Emotional outbursts?
If I can give you one piece of advice on top of all of this information: If you aren’t sure about a silhouette…. just try it on. More often than not, brides are happily surprised.