Madi Lane is designed in Australia by Liz Young. This line encompasses every bohemian bride’s fantasy. The wedding dresses feature lace, flowing sleeves, long trains, and sometimes even capes. This boho lace wedding dress with sleeves has a cold-shoulder style detail, and a fit and flare silhouette. A fit and flare wedding dress from Madi Lane will hug your curves beautifully but allow you to hike through Moab, just like Beth.
These wedding dress sleeves also easily detach for an easy two-in-one look. Just pop them off, and snap them back on when you want them for pictures! This fit and flare wedding dress looks great on all shapes and sizes. As always, Madi Lane offers each gown in sizes 2-28, so Madi Lane is a great option if you are in need of a plus size wedding dress.
Want to be a #BitsyBride? Make an appointment to try on this fit and flare wedding dress and the rest of our Madi Lane Bridal collection at our shot here in Salt Lake City, Utah.
This radiant bride wore Amanda by Nouvelle Amsale. This collection stems from the well-known Amsale brand, but sits at a lower and more budget friendly price point. Both Nouvelle Amsale and the Amsale name are well known for their simple wedding gown designs. They do an incredible job at capturing timeless and classic beauty within their gown. Amanda is a beautiful example of this clean and simple look.
Amanda is stunning as a sheath gown that features a deep v-neckline and floral lace sleeves. The crepe fabric elevates the cleanliness and simplicity of this gown. The princess seams sewn into this fabric and the plunging v-neckline allows a bride to show off her best curves. The hand appliquéd floral cap sleeves are a breathtaking addition and add a bit of personality to this gown. The lace clasps together at the base of the neck, and creates a brilliant keyhole back.
Courtney opted to keep this gown nearly to its original form. However, she did work with our in-house alterations team to create her perfect fit. She simply needed a few nips and tucks, as well as a hem. Although Courtney only used our services for simple alterations, we can transform wedding gowns into customized pieces of art. To talk to any of our stylists about our services and alteration options, please contact us.
Courtney decided to pair her gown with a simple one-layer veil to complete this classic style. However, Amanda can be easily glammed up with statement jewelry, or a long veil.
This beautiful bride wore Juno by Wtoo on her special day. Watters designs the Wtoo collection and features the same incredible quality, at a budget friendly price-point. Allie worked with our seamstress to create her modest version of this stunning gown with fairy sleeves.
Juno originally begins as a sleeveless A-line gown with illusion tulle on the bodice. The illusion tulle creates an open back effect that gives Juno an airy feeling, while still being covered. The lace on the bodice is concentrated around the bust and waist, and then trickles up the straps and down the back. The deep plunging v-neckline is a beautiful focal point of the bodice. The English Netting on the skirt allows for a lot of movement and contributes to the airiness. Finally, a small satin ribbon sits at the waist and ties the look together. Juno comes in traditional ivory or latte.
Here is a look at how Juno began.
Creating a modest gown.
Allie worked with our in-house alterations team to build Juno up and make it temple ready. First, our seamstress recreated the bodice to cover garments. We began by filling in the plunging V and creating a higher v-neckline. Next, we lined the illusion tulle back with latte lining. This closed up the back for modesty, but was still cohesive in the overall redesign. Finally, we created custom fairy sleeves to add. The fairy sleeves were covered with matching lace appliqués that began at the shoulder and trickled down the arm. Allie opted to add a little extra flair and had a custom slit added to the skirt of her gown.
This wonderful bride wore Renee by Ella Rosa. Kenneth Winston designs the Ella Rosa collection. Similarly, this collection holds the same design integrity as the couture collection. Renee shows the beautiful work Kenneth Winston does. Hannah added to the beauty of this gown by adding modest long lace sleeves.
Renee begins as a column gown with a floral lace pattern throughout. The v-neckline is edged with a floral scallop that continues up into the sleeves. The cap sleeve is created on a see through mesh, which follows into the back. This same mesh is used to give the illusion of an open back. The beautiful floral lace edges the back opening. Buttons finish this look, and run down the length of the back to the middle of the skirt. In addition, Renee comes with an optional belt, that adds a bit of sparkle to a classic gown.
Take a look at how Renee began.
Hannah worked with our in-house alterations team to build up this gown to be temple ready. Firstly, we began by filling in the see through back with ivory lining. The beautiful floral lace and buttons were still visible with this change. Our seamstress reconstructed the cap sleeves to compliment modest long lace sleeves. We added floral lace to the shoulders, which trickled down and throughout the sleeves. Finally, to finish off these lace sleeves, our seamstress added lace edging around the wrist bone. Hannah opted to wear the beaded belt during her bridals, which added a beautiful sparkle to her photos.
Our stunning bride wore Style 7704 by Ti Adora. This designer is in the same design house as Hayley Paige and Lazaro, and follows the same attention to detail, and certainly the attention to detail shines through in this gown! Kaitlyn worked with our seamstress to create lace sleeves and turn this beauty into a temple-ready gown.
Style 7704 begins as a sleeveless trumpet gown. The beautiful cashmere lace is embroidered with a subtle design that gives this gown a dimensional look. The sweetheart neckline is trimmed with lace detailing, which continues on into the back. The spaghetti straps on Style 7704 give a dainty feel and make the open back a focal point. Eyelash lace edges around the hem and train. This detail finishes off the feminine aspects of Style 7704.
Take a look at how this gown looks before alterations.
Kaitlyn worked with our in-house alterations team to create her modest dream dress. Firstly, we began by building up the neckline to fit garment lines. Meanwhile, we filled in the open back to make this gown temple-ready. Finally, we created customized long lace sleeves to turn this gown into a modest piece of art. We used the same cashmere lace to create a sleeve that hit at Kaitlyn’s wrist bone. The lace sleeves were completed by adding the same eyelash lace detail that can be found on the train. This small detail finished off the build up and created a cohesive look throughout the gown.
Schedule an appointment to see our entire JLM Couture collection, which includes Ti Adora, Lazaro, Blush by Hayley Paige, and Tara Keely. More importantly, schedule an appointment to discuss your build up needs.
This amazing bride wore “Mikey” by Mikaella. This Canada-based designer does a spectacular job at creating looks that radiate timeless and elegant. This modest bride wanted to step up the elegance and worked with our alterations team to customize this gown and create long lace sleeves and a modest bodice.
Mikey originally starts as a V-neck bodice with gathered mesh tulle around the bust and a sheer Guipure Lace midriff. Spaghetti straps support this gown, and meet in a near V-shape down the open back. The gathered multi-tear skirt is made up of English netting and edged with a two-inch horsehair trim. A small fabric belt is cinched around the waist to give a sense of transition between the bodice and the skirt.
Here is how Mikey began.
Bayley worked with our seamstress during alterations to create her customized modest look. She kept the look of the gathered mesh, but built it up into a temple-ready neckline, that mimics the original neckline. Then, our seamstress created long lace sleeves using the same Guipure Lace as the bodice. We also took this lace and filled in the back. Finally, the bodice was lined with an ivory lining to cover up any of the sheer aspects, but the sleeves were kept exposed to give more dimension to the gown. Bayley removed the fabric belt and replaced it with a small sparkle belt. This belt adds a little bit of flair to this look.
While the photographer is unknown, they did a fantastic job at capturing Bayley in her stunning one-of-a-kind wedding gown. Take a look at her photos to see the amazing work and her jaw-dropping backdrop.
This radiant bride wore Lainee by Christos. This collection is an extension of Amsale and has the same breathtaking designs that capture the simple elegance look of Amsale.
Lainee began as a delicate, silk chiffon gown with a plunging neckline and matching back. The neckline and back are covered with corded lace, which extends down to a lace flutter sleeve. Lainee has the option to tie a silk chiffon ribbon around the waist.
Here is the original gown.
The structure of this gown already has a conservative feel, but Olivia worked with our seamstress and our in-house alterations to make this gown temple-ready. We started by filling in the back and part of the neckline to allow garments to stay hidden. Then, we extended the beautifully delicate sleeves to make them a bit longer. Finally, we added a touch of lace around the waist to finish the look. Olivia opted to tie her ribbon around the back rather than the front like the model.
This beautiful bride wore Portia by Kelly Faetanini. This New York designer’s talent ranges from sleek and elegant to whimsical and edgy. No matter your taste, you can find a gown in one of Kelly’s stunning collections.
Portia features black Chantilly lace covering the bodice and creating delicate long sleeves. The plunging v-neckline is complemented with illusion mesh and black satin trimming. The ivory satin skirt pops against the darkness of the bodice and creates a chic look. Fabric buttons that transition color down the back finishes this stunning gown. Portia also comes in an ivory option for more of a traditional look.
Although Taylor opted to keep Portia in its original form, she worked with our seamstress and our in-house alterations to get this gown to fit like a glove. Taylor wanted a little bit of sparkle in this classic gown and added a jeweled belt to this look.