This magnificent bride wore “Wendy” by Kenneth Winston. This designer does a brilliant job at classic sparkle, and Wendy’s detail is tribute to that. With the help of our alterations team, Jill was able to wear a beautiful beaded modest dress.
This gown began as a sleeveless sheath gown with finger-width straps and a low rounded back. Wendy’s neckline mimics a sweetheart look, but has a mesh detail that gives it more of a v-neckline. This stunning gown is beaded throughout in a diamond pattern and radiates a Gatsby feeling. The entire look is finished off with a small train of the same gorgeous beading.
Take a look at how Wendy began.
Jill worked with our alterations team to turn this beaded beauty into a modest piece of art. Our seamstress needed to do a complete rebuild of the bodice to turn it into a modest wedding gown. When a bride needs a complete rebuild, we start by drawing out a design that works with her vision. Then, we build a rough model of the new bodice, once the bride approves we can begin attaching it to the skirt and adding the necessary embellishments. For Jill this meant creating a scoop back that sat high on the back and a v-neckline. Finally, Jill went with a small cap sleeve to complete this brand new bodice. The new creation was beaded with the same design and detail that the skirt has. With the help of our alterations team, Jill was able to wear a stunning beaded modest dress.
Tamara Jennings Photography did an amazing job at capturing Jill in her custom gown during her bridals.
Our gorgeous bride wore Juno from Wtoo by Watters. Watters and Wtoo’s styles range from clean and sleek to edgy and unique. Here at Bitsy Bridal, we carry both of these beautiful collections and have a variety of gowns to fit any bride’s budget or style. Savannah transformed this romantic gown into a stunning masterpiece featuring a modest lace bodice.
Juno began as a sleeveless gown with a plunging v-neckline. This illusion bodice is covered in floral lace appliqués that create an open back visual. Juno’s A-line skirt is multiple layers of English Netting. This material gives a soft and breathable look to this romantic gown. This gown is available in traditional ivory or latte. However, the latte color is one-of-a-kind and will stand out in nearly any venue. Juno also has the option of functional buttons to close the gown, or a zipper with decor buttons. If you like the sweetheart look, check out the modest version.
Take a look at Juno’s original form.
Savannah worked with our in-house alterations team to create her modest lace build up. We began by lining the entire bodice in latte fabric and then filling it in with floral lace appliqués. Because of this, we were able to create an entirely new scoop neckline. Finally, our seamstress created a cap sleeve. This gave the gown a chic look and made it temple ready. With the help of our seamstress, Savannah was able to create a personalized look for her special day.
Mikki Platt Photography did a fantastic job at capturing this beautiful bride and her modest lace gown. Take a look at some of her photos.
This amazing bride wore “Gemma” from Enchanting by Mon Cheri. Enchanting is one of our most budget friendly collections. Their style ranges from clean and classic to edgy and whimsical. Mon Cheri has a variety of options that will fit any style or location. Amy worked with our in-house alterations team to create her unique sleek modest wedding dress.
Gemma began as a sleeveless satin fit to flare gown. The bateau neckline features a small slit in the center. The high back is perfect for modesty and a chic look. The hand-beaded belt sits at the natural waist, which defines the best features of all brides. The chapel train finishes off this beautiful gown. Gemma all around is a very sleek and classic gown that is perfect for the sophisticated bride.
Take a look at how Gemma started.
Amy worked with our in-house alterations seamstress to turn this gown into a sleek modest wedding dress. We began by removing the hand-beaded belt from the waist. However, a thinner belt was added in its place. This belt still defined the waistline, but played more into Amy’s vision of her dream gown. Next, we added 3/4 length sleeves to make this gown temple ready. Our seamstress used the same satin fabric to create a cohesive look. Finally, small pearls and rhinestones were added to the edge of the sleeves. This small detail turned the sleeves into their own accessory and finished off this clean and classic look.
Raegan Christensen Photography did a stunning job at capturing this beautiful bride in her sleek modest wedding dress. Take a look at some of her photos.
This beautiful bride wore Juno by Wtoo on her special day. Watters designs the Wtoo collection and features the same incredible quality, at a budget friendly price-point. Allie worked with our seamstress to create her modest version of this stunning gown with fairy sleeves.
Juno originally begins as a sleeveless A-line gown with illusion tulle on the bodice. The illusion tulle creates an open back effect that gives Juno an airy feeling, while still being covered. The lace on the bodice is concentrated around the bust and waist, and then trickles up the straps and down the back. The deep plunging v-neckline is a beautiful focal point of the bodice. The English Netting on the skirt allows for a lot of movement and contributes to the airiness. Finally, a small satin ribbon sits at the waist and ties the look together. Juno comes in traditional ivory or latte.
Here is a look at how Juno began.
Creating a modest gown.
Allie worked with our in-house alterations team to build Juno up and make it temple ready. First, our seamstress recreated the bodice to cover garments. We began by filling in the plunging V and creating a higher v-neckline. Next, we lined the illusion tulle back with latte lining. This closed up the back for modesty, but was still cohesive in the overall redesign. Finally, we created custom fairy sleeves to add. The fairy sleeves were covered with matching lace appliqués that began at the shoulder and trickled down the arm. Allie opted to add a little extra flair and had a custom slit added to the skirt of her gown.
This wonderful bride wore Renee by Ella Rosa. Kenneth Winston designs the Ella Rosa collection. Similarly, this collection holds the same design integrity as the couture collection. Renee shows the beautiful work Kenneth Winston does. Hannah added to the beauty of this gown by adding modest long lace sleeves.
Renee begins as a column gown with a floral lace pattern throughout. The v-neckline is edged with a floral scallop that continues up into the sleeves. The cap sleeve is created on a see through mesh, which follows into the back. This same mesh is used to give the illusion of an open back. The beautiful floral lace edges the back opening. Buttons finish this look, and run down the length of the back to the middle of the skirt. In addition, Renee comes with an optional belt, that adds a bit of sparkle to a classic gown.
Take a look at how Renee began.
Hannah worked with our in-house alterations team to build up this gown to be temple ready. Firstly, we began by filling in the see through back with ivory lining. The beautiful floral lace and buttons were still visible with this change. Our seamstress reconstructed the cap sleeves to compliment modest long lace sleeves. We added floral lace to the shoulders, which trickled down and throughout the sleeves. Finally, to finish off these lace sleeves, our seamstress added lace edging around the wrist bone. Hannah opted to wear the beaded belt during her bridals, which added a beautiful sparkle to her photos.
This beauty wore “Delta” from Blush by Hayley Paige. The Blush collection features the whimsical and edgy vibe that we love from Hayley, but at a budget friendly price point. Delta is an excellent example of Hayley Paige’s artistry. This gown is amazing in its original form, or with a customized keyhole back and straps.
Delta begins as a stunning A-line gown in complete Marrakesh Beading fabric. The gown features a deep, scalloped v-neckline with a small mesh insert for coverage. To complement this neckline, the spaghetti straps come to a T in the back. Finally, the back is finished off with a Marrakesh beaded butterfly at the clasps. This art-deco inspired gown has the color option of cashmere, or traditional ivory.
Take a look at how Delta began.
Pip worked with our in-house alterations team to customize the top and bring her unique design to life. Firstly, we began by raising the neckline to about mid-bust to provide more coverage. However, this new neckline still features the beautiful scalloped edging. Next, our team created a thicker strap. Like the neckline, the straps have been edged. This scalloped edge continues across the straps and down the back. Finally, we created a brand new keyhole back for Pip. This design flowed better with the new construction and highlights Pip’s stunning features. This new back ended just above the waist and featured a small clasp in-between the shoulders to close. Pip opted to keep the beautiful A-line skirt intact.
Abby Dell Photography did a stunning job at capturing this one-of-a-kind gown. Take a look at how radiant she looks!
This beautiful bride wore “Rosalind” by Ella Rosa. The Ella Rosa collection is designed by Kenneth Winston, and his elegant flair shines through. Rosalind is stunning combination of two well known features in bridal and becomes a beautiful lace and beaded wedding gown.
Rosalind features corded Alencon Lace over a layer of Chantilly Lace. The Alencon Lace begins as a heavy lace on the bodice and trickles down the skirt to show off the Chantilly lace underneath. This breath-taking double layer of lace is a showstopper in any venue or setting. However, this style is breathtaking in Bryndi’s Log Haven venue. Rosalind’s v-neckline has a sweetheart lining that will compliment all brides and their best assets. The stunning low back shows off a see-through layer of lace that gives the illusion of a larger open back. The spaghetti straps of this gown bring a delicate feeling to the construction of Rosalind. Finally, the details on this gown are stunning! The beading is placed throughout the top layer, and sparkles in all angles. The buttons down the back finish off the entire look. This beaded wedding gown is one-of-a-kind in its details and construction.
Bryndi decided to keep Rosalind in its original form. However, she worked with our in-house alterations to get this gown to fit her perfectly. Our alterations team’s talents range from a complete build up to a nip and tuck. Any bride can find what they are looking for during our in-house alterations.
Our stunning bride wore Style 7704 by Ti Adora. This designer is in the same design house as Hayley Paige and Lazaro, and follows the same attention to detail, and certainly the attention to detail shines through in this gown! Kaitlyn worked with our seamstress to create lace sleeves and turn this beauty into a temple-ready gown.
Style 7704 begins as a sleeveless trumpet gown. The beautiful cashmere lace is embroidered with a subtle design that gives this gown a dimensional look. The sweetheart neckline is trimmed with lace detailing, which continues on into the back. The spaghetti straps on Style 7704 give a dainty feel and make the open back a focal point. Eyelash lace edges around the hem and train. This detail finishes off the feminine aspects of Style 7704.
Take a look at how this gown looks before alterations.
Kaitlyn worked with our in-house alterations team to create her modest dream dress. Firstly, we began by building up the neckline to fit garment lines. Meanwhile, we filled in the open back to make this gown temple-ready. Finally, we created customized long lace sleeves to turn this gown into a modest piece of art. We used the same cashmere lace to create a sleeve that hit at Kaitlyn’s wrist bone. The lace sleeves were completed by adding the same eyelash lace detail that can be found on the train. This small detail finished off the build up and created a cohesive look throughout the gown.
Schedule an appointment to see our entire JLM Couture collection, which includes Ti Adora, Lazaro, Blush by Hayley Paige, and Tara Keely. More importantly, schedule an appointment to discuss your build up needs.
This amazing bride wore “Mikey” by Mikaella. This Canada-based designer does a spectacular job at creating looks that radiate timeless and elegant. This modest bride wanted to step up the elegance and worked with our alterations team to customize this gown and create long lace sleeves and a modest bodice.
Mikey originally starts as a V-neck bodice with gathered mesh tulle around the bust and a sheer Guipure Lace midriff. Spaghetti straps support this gown, and meet in a near V-shape down the open back. The gathered multi-tear skirt is made up of English netting and edged with a two-inch horsehair trim. A small fabric belt is cinched around the waist to give a sense of transition between the bodice and the skirt.
Here is how Mikey began.
Bayley worked with our seamstress during alterations to create her customized modest look. She kept the look of the gathered mesh, but built it up into a temple-ready neckline, that mimics the original neckline. Then, our seamstress created long lace sleeves using the same Guipure Lace as the bodice. We also took this lace and filled in the back. Finally, the bodice was lined with an ivory lining to cover up any of the sheer aspects, but the sleeves were kept exposed to give more dimension to the gown. Bayley removed the fabric belt and replaced it with a small sparkle belt. This belt adds a little bit of flair to this look.
While the photographer is unknown, they did a fantastic job at capturing Bayley in her stunning one-of-a-kind wedding gown. Take a look at her photos to see the amazing work and her jaw-dropping backdrop.
Both of these stunning brides wore gowns from Ella Rosa by Kenneth Winston. Ella Rosa is designed by Kenneth Winston and includes the sparkle and attention to detail found in his couture collection. Lauraine wore “Riley” and Caitlin wore “Rosalind”. These brides came in separately to pick their gowns to keep them a surprise from one another. However, they both unknowingly decided on the same designer!
Riley is a ballgown that features a sweetheart neckline and ruched bodice. The satin belt sits around the natural waist to emphasize the smallest part of a bride. This belt is accompanied by a beaded floral design. The English Netting gives this gown a romantic feel and allows for a lot of movement. Buttons down the length of the gown finish off the look of Riley. Lauraine chose a light gold color, but Riley is also available in traditional ivory.
Rosalind is a fitted gown that features a double layer of lace. The top layer is an Alencon lace that begins heavy in the bodice and trickles down the skirt. The next layer is a Chantilly lace that brings a sense of romance and delicacy to the look. Rosalind’s v-neckline has a sweetheart lining that will flatter all bust sizes. The stunning low back shows off a see-through layer of lace that gives the illusion of a larger open back. Finally, Rosalind has some incredible detail to finish off the look. The beading throughout the gown allows for a little bit of glimmer without being too overpowering. Also, the buttons down the back give a similar feel to Riley, but stop mid-skirt to compliment the fit of the gown.
Jadie Jo Photography did a fantastic job at capturing these brides in their gowns on their special day.
This radiant bride wore “Cedra” by Aire Barcelona. This designer does a beautiful job at creating timeless pieces with a bit of Spanish flair, and this blush ballgown is a great example of this.
Cedra is a show stopper as a light blush ballgown. This dress features pleats in the waist that give the skirt a dimensional look. The off-the-shoulder neckline highlights the femininity of the bride, while the gentle dip in the back shows a more sensual side. Cedra has a few small fabric buttons that run the length of the bodice and stop just above the pleated skirt. This gown has the hidden detail of pockets! This pockets provide options for a beautiful photo opportunity, or to place to put your small accessories. A beaded floral belt finishes this unique look.
Take a peek at the original belt for Cedra.
Here is also a look at the back of this amazing wedding gown.
Kristie chose to keep this dress in its original form, but did opt for a larger belt to bring more sparkle to the look. This belt was matched with the same fabric and material as the gown, so it created a seamless look. She worked with our alterations team to fit this gown to her perfectly. Our in-house alterations services can range from a complete modest build up to a simple hem. Each bride has the freedom to customize her wedding look.
This gorgeous bride wore Mikaella for her special day. This Toronto-based designer does classic elegance with attention to beautiful detail. Brin worked with our alterations team to turn this gown into a timeless modest wedding gown.
First, this A-line gown features a full organza skirt and lace bodice with a sweetheart neckline and see-through back. The cap sleeves and neckline were finished with a light scalloped edge. A small beaded belt completed this soft look.
Take a look at how this gown began.
Brin worked with our alterations team to fill in the top to make this gown temple-ready. Our seamstress followed the scalloped pattered to fill in this neckline. Then, we extended the sleeved by a few inches to keep the modest look. Brin opted to keep the crystal buttons that follow the length of her back. She added a wider belt with a few more jewels to bring more sparkle to this look. The completed look made for a stunning modest wedding gown.
This beautiful bride wore “Remington” from Ella Rosa by Kenneth Winston. Ella Rosa is the sister brand of Kenneth Winston, and reflects the same design integrity. However, this brand is much more wedding budget friendly.
This gown originally features a beaded and lace bodice with a cap sleeve and sweetheart neckline. The illusion mesh on the back gives an open feeling, while staying covered. The lace bodice scallops along the edges and ends with eyelash lace details. The ballgown skirt is made of tulle and is edged with a delicate lace hem. Altogether, this gown has a fairy-tale feeling to it.
Here is how Remington started.
Nicole worked with our seamstress and our in-house alterations to create a beautiful sleeve. Our seamstress extended the illusion tulle out to Nicole’s wrists and then placed matching lace appliqués throughout the sleeve. Next, the appliqués were beaded to match the bodice and finally, the same eyelash detail was added to the end of the sleeve to finish the look. Nicole’s custom lace sleeves added a sense of elegance to this beautiful gown.
This lovely bride wore “West” from the Blush by Hayley Paige Collection. This show-stopping gown features Blush by Hayley Paige’s unique Marrakesh beading throughout the entire silhouette. This mermaid cut features a sweetheart neckline and low rounded back.
First, this is how West began.
Katherine worked with our in-house alterations team to create the details on her gown and make this a unique piece of work. She opted to keep the same structure that West originally starts with. However, our seamstress removed the original spaghetti strap and added a tulle off the shoulder wrap to give this gown a special touch. This gently covered Katherine’s arms and scooped across the top of her back, giving her a soft and delicate look. Katherine purchased an overskirt out of town and wanted to incorporate this into her wedding day look. Our seamstress added hooks to the waist of the gown, so the skirt could easily be added or removed as needed.
This radiant bride wore Lainee by Christos. This collection is an extension of Amsale and has the same breathtaking designs that capture the simple elegance look of Amsale.
Lainee began as a delicate, silk chiffon gown with a plunging neckline and matching back. The neckline and back are covered with corded lace, which extends down to a lace flutter sleeve. Lainee has the option to tie a silk chiffon ribbon around the waist.
Here is the original gown.
The structure of this gown already has a conservative feel, but Olivia worked with our seamstress and our in-house alterations to make this gown temple-ready. We started by filling in the back and part of the neckline to allow garments to stay hidden. Then, we extended the beautifully delicate sleeves to make them a bit longer. Finally, we added a touch of lace around the waist to finish the look. Olivia opted to tie her ribbon around the back rather than the front like the model.