This gorgeous bride wore “Elsa” by Lazaro. Lazaro does an incredible job with heavy beading and glitter fabrics. Elsa embodies this work perfectly. Lauren worked with our in-house alterations to create her very own modest Lazaro gown.
Elsa begins as a sleeveless ballgown in a stunning checkered net glitter fabric. The sculpted v-neckline and natural waistline together create a delicate bodice. This compliments the low scoop back very well. Finally, the spaghetti straps are detailed with crystal embellishments This look is finished off with a chapel length train.
Take a look at how Elsa began.
Creating a modest Lazaro
Lauren was wowed by the sparkle of this dress and knew it would fit perfectly into her princess vision. She began working with our in-house alterations team to make sure this gown would be temple ready. Firstly, our seamstress began by removing the bodice and recreating a brand new look. This included changing the neckline into a higher v-neck and completely filling in the back. Then, we added long sleeves to the bodice, which came to a point just below the wrist bone. Both the neckline and the sleeves were finished off with a pearl trimming. Lauren added a cummerbund in the same fabric to extenuate the smallest part of her waist. Finally, the entire look was tied together with crystal buttons that followed the length of her gown.
Lauren accessorized with a sparkle necklace and earrings. She decided to amp up her fairy-tale look by adding sparkle shoes and a matching tiara. Finally, she added a customized cathedral veil made out of the same fabric as her gown. Lauren truly looked like a princess come to life during her wedding day.
Our gorgeous bride wore Juno from Wtoo by Watters. Watters and Wtoo’s styles range from clean and sleek to edgy and unique. Here at Bitsy Bridal, we carry both of these beautiful collections and have a variety of gowns to fit any bride’s budget or style. Savannah transformed this romantic gown into a stunning masterpiece featuring a modest lace bodice.
Juno began as a sleeveless gown with a plunging v-neckline. This illusion bodice is covered in floral lace appliqués that create an open back visual. Juno’s A-line skirt is multiple layers of English Netting. This material gives a soft and breathable look to this romantic gown. This gown is available in traditional ivory or latte. However, the latte color is one-of-a-kind and will stand out in nearly any venue. Juno also has the option of functional buttons to close the gown, or a zipper with decor buttons. If you like the sweetheart look, check out the modest version.
Take a look at Juno’s original form.
Savannah worked with our in-house alterations team to create her modest lace build up. We began by lining the entire bodice in latte fabric and then filling it in with floral lace appliqués. Because of this, we were able to create an entirely new scoop neckline. Finally, our seamstress created a cap sleeve. This gave the gown a chic look and made it temple ready. With the help of our seamstress, Savannah was able to create a personalized look for her special day.
Mikki Platt Photography did a fantastic job at capturing this beautiful bride and her modest lace gown. Take a look at some of her photos.
This beautiful bride wore Juno by Wtoo on her special day. Watters designs the Wtoo collection and features the same incredible quality, at a budget friendly price-point. Allie worked with our seamstress to create her modest version of this stunning gown with fairy sleeves.
Juno originally begins as a sleeveless A-line gown with illusion tulle on the bodice. The illusion tulle creates an open back effect that gives Juno an airy feeling, while still being covered. The lace on the bodice is concentrated around the bust and waist, and then trickles up the straps and down the back. The deep plunging v-neckline is a beautiful focal point of the bodice. The English Netting on the skirt allows for a lot of movement and contributes to the airiness. Finally, a small satin ribbon sits at the waist and ties the look together. Juno comes in traditional ivory or latte.
Here is a look at how Juno began.
Creating a modest gown.
Allie worked with our in-house alterations team to build Juno up and make it temple ready. First, our seamstress recreated the bodice to cover garments. We began by filling in the plunging V and creating a higher v-neckline. Next, we lined the illusion tulle back with latte lining. This closed up the back for modesty, but was still cohesive in the overall redesign. Finally, we created custom fairy sleeves to add. The fairy sleeves were covered with matching lace appliqués that began at the shoulder and trickled down the arm. Allie opted to add a little extra flair and had a custom slit added to the skirt of her gown.
This wonderful bride wore Renee by Ella Rosa. Kenneth Winston designs the Ella Rosa collection. Similarly, this collection holds the same design integrity as the couture collection. Renee shows the beautiful work Kenneth Winston does. Hannah added to the beauty of this gown by adding modest long lace sleeves.
Renee begins as a column gown with a floral lace pattern throughout. The v-neckline is edged with a floral scallop that continues up into the sleeves. The cap sleeve is created on a see through mesh, which follows into the back. This same mesh is used to give the illusion of an open back. The beautiful floral lace edges the back opening. Buttons finish this look, and run down the length of the back to the middle of the skirt. In addition, Renee comes with an optional belt, that adds a bit of sparkle to a classic gown.
Take a look at how Renee began.
Hannah worked with our in-house alterations team to build up this gown to be temple ready. Firstly, we began by filling in the see through back with ivory lining. The beautiful floral lace and buttons were still visible with this change. Our seamstress reconstructed the cap sleeves to compliment modest long lace sleeves. We added floral lace to the shoulders, which trickled down and throughout the sleeves. Finally, to finish off these lace sleeves, our seamstress added lace edging around the wrist bone. Hannah opted to wear the beaded belt during her bridals, which added a beautiful sparkle to her photos.
This beauty wore “Delta” from Blush by Hayley Paige. The Blush collection features the whimsical and edgy vibe that we love from Hayley, but at a budget friendly price point. Delta is an excellent example of Hayley Paige’s artistry. This gown is amazing in its original form, or with a customized keyhole back and straps.
Delta begins as a stunning A-line gown in complete Marrakesh Beading fabric. The gown features a deep, scalloped v-neckline with a small mesh insert for coverage. To complement this neckline, the spaghetti straps come to a T in the back. Finally, the back is finished off with a Marrakesh beaded butterfly at the clasps. This art-deco inspired gown has the color option of cashmere, or traditional ivory.
Take a look at how Delta began.
Pip worked with our in-house alterations team to customize the top and bring her unique design to life. Firstly, we began by raising the neckline to about mid-bust to provide more coverage. However, this new neckline still features the beautiful scalloped edging. Next, our team created a thicker strap. Like the neckline, the straps have been edged. This scalloped edge continues across the straps and down the back. Finally, we created a brand new keyhole back for Pip. This design flowed better with the new construction and highlights Pip’s stunning features. This new back ended just above the waist and featured a small clasp in-between the shoulders to close. Pip opted to keep the beautiful A-line skirt intact.
Abby Dell Photography did a stunning job at capturing this one-of-a-kind gown. Take a look at how radiant she looks!
Our stunning bride wore Style 7704 by Ti Adora. This designer is in the same design house as Hayley Paige and Lazaro, and follows the same attention to detail, and certainly the attention to detail shines through in this gown! Kaitlyn worked with our seamstress to create lace sleeves and turn this beauty into a temple-ready gown.
Style 7704 begins as a sleeveless trumpet gown. The beautiful cashmere lace is embroidered with a subtle design that gives this gown a dimensional look. The sweetheart neckline is trimmed with lace detailing, which continues on into the back. The spaghetti straps on Style 7704 give a dainty feel and make the open back a focal point. Eyelash lace edges around the hem and train. This detail finishes off the feminine aspects of Style 7704.
Take a look at how this gown looks before alterations.
Kaitlyn worked with our in-house alterations team to create her modest dream dress. Firstly, we began by building up the neckline to fit garment lines. Meanwhile, we filled in the open back to make this gown temple-ready. Finally, we created customized long lace sleeves to turn this gown into a modest piece of art. We used the same cashmere lace to create a sleeve that hit at Kaitlyn’s wrist bone. The lace sleeves were completed by adding the same eyelash lace detail that can be found on the train. This small detail finished off the build up and created a cohesive look throughout the gown.
Schedule an appointment to see our entire JLM Couture collection, which includes Ti Adora, Lazaro, Blush by Hayley Paige, and Tara Keely. More importantly, schedule an appointment to discuss your build up needs.
This gorgeous bride wore Mikaella for her special day. This Toronto-based designer does classic elegance with attention to beautiful detail. Brin worked with our alterations team to turn this gown into a timeless modest wedding gown.
First, this A-line gown features a full organza skirt and lace bodice with a sweetheart neckline and see-through back. The cap sleeves and neckline were finished with a light scalloped edge. A small beaded belt completed this soft look.
Take a look at how this gown began.
Brin worked with our alterations team to fill in the top to make this gown temple-ready. Our seamstress followed the scalloped pattered to fill in this neckline. Then, we extended the sleeved by a few inches to keep the modest look. Brin opted to keep the crystal buttons that follow the length of her back. She added a wider belt with a few more jewels to bring more sparkle to this look. The completed look made for a stunning modest wedding gown.
This beautiful bride wore “Remington” from Ella Rosa by Kenneth Winston. Ella Rosa is the sister brand of Kenneth Winston, and reflects the same design integrity. However, this brand is much more wedding budget friendly.
This gown originally features a beaded and lace bodice with a cap sleeve and sweetheart neckline. The illusion mesh on the back gives an open feeling, while staying covered. The lace bodice scallops along the edges and ends with eyelash lace details. The ballgown skirt is made of tulle and is edged with a delicate lace hem. Altogether, this gown has a fairy-tale feeling to it.
Here is how Remington started.
Nicole worked with our seamstress and our in-house alterations to create a beautiful sleeve. Our seamstress extended the illusion tulle out to Nicole’s wrists and then placed matching lace appliqués throughout the sleeve. Next, the appliqués were beaded to match the bodice and finally, the same eyelash detail was added to the end of the sleeve to finish the look. Nicole’s custom lace sleeves added a sense of elegance to this beautiful gown.
This lovely bride wore “West” from the Blush by Hayley Paige Collection. This show-stopping gown features Blush by Hayley Paige’s unique Marrakesh beading throughout the entire silhouette. This mermaid cut features a sweetheart neckline and low rounded back.
First, this is how West began.
Katherine worked with our in-house alterations team to create the details on her gown and make this a unique piece of work. She opted to keep the same structure that West originally starts with. However, our seamstress removed the original spaghetti strap and added a tulle off the shoulder wrap to give this gown a special touch. This gently covered Katherine’s arms and scooped across the top of her back, giving her a soft and delicate look. Katherine purchased an overskirt out of town and wanted to incorporate this into her wedding day look. Our seamstress added hooks to the waist of the gown, so the skirt could easily be added or removed as needed.
This radiant bride wore Lainee by Christos. This collection is an extension of Amsale and has the same breathtaking designs that capture the simple elegance look of Amsale.
Lainee began as a delicate, silk chiffon gown with a plunging neckline and matching back. The neckline and back are covered with corded lace, which extends down to a lace flutter sleeve. Lainee has the option to tie a silk chiffon ribbon around the waist.
Here is the original gown.
The structure of this gown already has a conservative feel, but Olivia worked with our seamstress and our in-house alterations to make this gown temple-ready. We started by filling in the back and part of the neckline to allow garments to stay hidden. Then, we extended the beautifully delicate sleeves to make them a bit longer. Finally, we added a touch of lace around the waist to finish the look. Olivia opted to tie her ribbon around the back rather than the front like the model.
This incredible bride looked stunning in her modest build up version of Halo from the Blush by Hayley Paige collection. Hayley Paige is known for her edgy and whimsical designs, and Halo is no exception.
Halo began with a cotton lace bodice featuring spaghetti straps and an open low back with strappy details. The tulle ballgown skirt is edged with horsehair trim and gives the gown an airy and light feeling while still providing volume.
Here is how Halo starts.
Madi worked with our seamstress during our in-house alterations to create her custom modest build up. We raised the neckline, but kept the same design as the original gown. Our seamstress then filled in the back with cotton lace to create a unified look. She added a cap sleeve to complete this modest look.
to create her custom modest build up. We raised the neckline, but kept the same design as the original gown. Our seamstress then filled in the back with cotton lace to create a unified look. She added a cap sleeve to complete this modest look.
This stunning bride wore “Kate” by Tara Keely. Lazaro designs the Tara Keely collection, and his attention to detail continues to shine through in these gowns. Kate is an excellent example of how well Lazaro does a glitter gown! Morgan added a modest flutter sleeve, which gives this gown a custom spin.
This gown first began as a strapless beauty that features a gorgeous sweetheart neckline and low back. The beaded floral and chevron design shimmers and dazzles in the light. This sheath gown hugs all the right curves and shows off a bride’s beautiful shape, then delicately hangs off the thigh. This fabric and design is complimented by a sweep train. Kate includes an optional tulle overskirt that gives this look a longer train and more volume.
Take a look at the original gown.
Here is a peek at how Kate looks with the overskirt included.
Our seamstress worked with Morgan during our in-house alterations to create her modest vision. First, she built up the top with a v-back and high neckline using the same shimmering fabric. During build up alterations, we carefully construct new bodices and necklines to ensure every bride is seeing their idea come to life. Finally, this classic look was complimented with a whimsical modest flutter sleeve. We used the same fabric that edges the bottom of the dress to create a beautiful and cohesive look.
Shameless Photography did an incredible job at capturing the beauty of this bride and her gown in her outdoor garden-type venue.
Come see our Tara Keely collection, in addition to discussing your modest look by scheduling an appointment. Also, hop onto our Pinterest page to see all of our other stunning modest brides and their creations.
This stunning bride wore Dakota from Hayley Paige’s Blush line. Hayley Paige is known for her creative and out-of-the-box bridal designs and Dakota is no exception. This gown features her jaw-dropping Marrakesh beading on the bodice and a tulle, a-line skirt. Originally this gown is designed with cap sleeves and a keyhole back. However, Shanelle worked with our in-house alterations team to build this top up into a fantastic modest wedding dress. Below are pictures of how this gown started.
Shanelle decided to keep the v-neckline, but raised it to a modest level. She then extended the cap sleeve into a full-length sleeve. This full Marrakesh beaded sleeve is perfect for any season, and amplified the beauty of this gown. Shanelle finished off her modest alterations with filling in the majority of the keyhole back. She opted to leave a small opening, just between the shoulders. Our seamstress added a beautiful touch to this opening by following the look of the neckline and detailing the edges. Shanelle topped off her look by pairing her gown with Hayley Paige’s matching veil.
This wonderful bride wore Beaumont by Wtoo. Wtoo has the same design integrity of Watters, but at a price your budget will thank you for. Tatum took this gown and had it customized to make it modest with our in-house alterations team. This gown began has a strapless beaded beauty, but with the hard work of our seamstress we were able to make Tatum’s vision of long sleeves come to life.
Our seamstress created a custom neckline and sleeves for Tatum to build upon the strapless look. She then filled in the top with lining and appliqués to create a continuous look. She finished by hand beading all of the new work to create a one of a kind modest dress.
Our gorgeous bride Emily wore Emerald by Saphia Blue. Saphia Blue is a part of Elizabeth Cooper’s collection. Elizabeth Cooper is known within Utah for designing pre-made modest wedding dresses.
Emily worked with our in-house alterations team to create a customized sleeve that fit her personality and style of her wedding. She opted to leave her new sleeves unlined, which gives some dimension to the look. This gown also features a v-neckline and a lace up back on top of an English Net skirt with dotted details.
First, here are photos of how the gown originally started.